Fryderyk 2018!
Already it is Dusk
Rigaudon
Concerto
Anhelli premiere
6th Dec 2019
Massada organ session
Visit the gallery
Fryderyk 2018!
Already it is Dusk
Massada organ session
Visit the gallery
Concerts
11.12.2019
Warszawa, Fryderyk Chopin University of Music
D. Przybylski - Rigaudon. Concerto for Organ and Symphony Orchestra (version) THE FIRST PERFORMANCE
Andrzej Chorosiński - organ, Fryderyk Chopin University of Music Symphony Orchestra, NN - conductor
8.12.2019
Katowice, National Polish Radio Symphony Orchestra
D. Przybylski - Sonata da chiesa (2013) for accordion
Maciej Frąckiewicz - accordion
6.12.2019
Poznań, Stanisław Moniuszko Opera House
D. Przybylski - Anhelli - opera-mystery (2019) THE FIRST PERFORMANCE
Jan Jakub Monowid - countertenor, soloists, Choir, Children Choir and Orchestra of the Stanisław Moniuszko Opera House, Grzegorz Wierus - conductor
2.06.2019
Warszawa, Sanktuarium Św. Antoniego z Padwy
G. Faure - Messe basse, J. Tavener - The Lord's prayer, K. Nystedt - Hosanna!
Warsaw Medical University Choir, Daniel Synowiec - conductor, Dariusz Przybylski - Hammond organ
28.05.2019
Warszawa, National Philharmony
D. Przybylski - Sonata da chiesa (2013) for accordion
Maciej Frąckiewicz - accordion
Latest works
Anhelli
opera-mystery after Juliusz Słowacki
Rigaudon
concerto for quarter-tone Hammond organ and symphony orchestra
Ich war ich bin, aber ich werde nie wieder sein
for trumpet solo and 13 instruments [solo: Trumpet 1111 - 1010 - Perc Pno - 2Vln Vla Vlc DB]
Zachodzi słoneczko
for choir (24 voices)
Chansons d'Apollon
for mezzosoprano, accordion and cello
Featured
Selected albums
Dariusz Przybylski is a composer and organist. Born in 1984, he is prolific and versatile, his output is considerable in the number of compositions and staggering in the variety of form.
Przybylski counts among his composition teachers Marcin Błażewicz, York Höller, Krzysztof Meyer and Wolfgand Rihm. Perhaps one could call his output Rihmian in the sense that it spans different genres and musical forms and draws on a seemingly unlimited number of sources of stylistic or aesthetic inspiration.
Dariusz Przybylski. A courageous passéiste. Przybylski counts among his composition teachers Marcin Błażewicz, York Höller, Krzysztof Meyer and Wolfgand Rihm. Dariusz Przybylski. A courageous passéiste. Przybylski counts among his composition teachers Marcin Błażewicz, York Höller, Krzysztof Meyer and Wolfgand Rihm.
Aleksander Laskowski
Przybylski, an unrelenting non-contemporarian, is seen through the prism of general music criticism as well as essays of Krzysztof Lipka, who is an ardent propagator of his music. Przybylski, an unrelenting non-contemporarian, is seen through the prism of general music criticism as well as essays of Krzysztof Lipka, who is an ardent propagator of his music.
Przybylski’s passéism manifests itself in a number of ways – through the choice of musical forms (e.g. chaconne, concerto), the relationship of music and text in his works (both lieder and operas). Przybylski’s passéism manifests itself in a number of ways – through the choice of musical forms (e.g. chaconne, concerto), the relationship of music and text in his works (both lieder and operas).
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